Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
2. Calls on the Council and Commission to clarify what constitutes a European view of culture, creativity and innovation and to elaborate a structured policy for developing European creative industries, incorporating it in a proper European strategy for culture; |
Compromise amendment A (replacing am. 48, 49) |
Guy Bono |
? |
? |
2. Calls on the Council and Commission to clarify what constitutes a European view of culture, creativity and innovation and to elaborate structured political measures for practical implementation for developing European creative industries, incorporating it in a proper European strategy for culture; considers that to this end the identification of the sector of cultural industries and undertakings is a priority; |
48 |
Christa Prets |
? |
? |
2. Calls on the Council and Commission to clarify what constitutes a European view of culture, creativity and innovation and to elaborate (deletion) structured political measures for practical implementation for developing European creative industries, incorporating it in a proper European strategy for culture; |
49 |
Katerina Batzeli |
? |
? |
2. Calls on the Council and Commission to clarify what constitutes a European view of culture, creativity and innovation and to elaborate a structured policy for developing European creative industries, incorporating it in a proper European strategy for culture; considers that to this end the identification of the sector of cultural industries and undertakings is a priority of overriding importance; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
4. Considers that flourishing cultural industries depend to a large extent on the opportunities for unimpeded cross-frontier mobility, and repeats the requests it set out in this connection in the above resolution on the social status of artists; |
Compromise amendment B (replacing am. 53, 55) |
Guy Bono |
? |
? |
4. Considers that flourishing cultural industries depend to a large extent on the opportunities for ensuring (deletion) cross-frontier mobility, and for this reason the problems of the European arrest warrant must be addressed and specific rules drawn up in this connection, and repeats the requests it set out in this connection in the above resolution on the social status of artists; |
51=52 |
Helga Trüpel, Claire Gibault |
? |
? |
4. deleted |
53 |
Maria Badia i Cutchet |
? |
? |
4.Considers that flourishing cultural industries depend to a large extent on the opportunities for ensuring (deletion) cross-frontier mobility, and repeats the requests it set out in this connection in the above resolution on the social status of artists; |
54 |
Guy Bono |
withdrawn |
N/A |
4. Considers that flourishing cultural industries depend to a large extent on the opportunities for unimpeded cross-frontier mobility for cultural operators, and repeats the requests it set out in this connection in the above resolution on the social status of artists; |
55 |
Christa Prets |
? |
? |
4. Considers that flourishing cultural industries depend to a large extent on the opportunities for unimpeded cross-frontier mobility, and for this reason the problems of the European arrest warrant must be addressed and specific rules drawn up in this connection, and repeats the requests it set out in this connection in the above resolution on the social status of artists; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
5. Welcomes the idea of setting up an internal market for the people, goods and services of the creative industry, and calls on the Commission to present Parliament with a Green Paper on this subject; |
Compromise amendment C (replacing am. 56, 57, 58) |
Guy Bono |
? |
? |
5. Welcomes the idea of promoting mobility for the people, goods and services of the creative industry, with due regard for the rules and principles laid down in the abovementioned UNESCO Convention, and calls on the Commission to present Parliament with a Green Paper on this subject, which does justice to the specificity of the sector as both a cultural and economic asset; |
56 |
Ruth Hieronymi |
? |
? |
5. Welcomes the idea of promoting mobility for the people, goods and services of the creative industry, and calls on the Commission to present (deletion) a Green Paper on this subject which does justice to the specificity of the sector as both a cultural and economic asset; |
57 |
Guy Bono |
? |
? |
5. Welcomes the idea of setting up an internal market for the people, goods and services of the creative industry, with due regard for the rules and principles laid down in the abovementioned UNESCO Convention, and calls on the Commission to present Parliament with a Green Paper on this subject; |
58 |
Katerina Batzeli |
? |
? |
5. Welcomes the idea of setting up an internal market for the people, goods and services of the creative industry, and calls on the Commission to present Parliament with a Green Paper on this subject which will cover the impact on the internal market of the implementation of the UNESCO Convention on Cultural Diversity; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
8. Calls on the Commission to proceed with setting up a task force for culture and the creative economy, so as to explore more closely the relationship between culture, creativity and innovation in the context of the Community policies; |
Compromise amendment D (replacing am. 65, 66, 67, 68) |
Guy Bono |
? |
? |
8. Calls on the Commission to put in place a structure for strengthening coordination of activities and policies which have an impact on the cultural and creative sector and to set up a task force for culture and the creative economy, so as to explore more closely the direct contribution of culture and of creativity on innovation, economic growth and social development in the European Union; and to propose concrete measures in cooperation with the European Parliament in the context of the Community policies; |
65 |
Guy Bono |
? |
? |
8. Calls on the Commission to put in place a structure for strengthening coordination of activities and policies which have an impact on the cultural and creative sector and to set up a task force for culture and the creative economy, so as to explore more closely the relationship between culture, creativity and innovation, and to propose concrete measures in the context of the Community policies; |
66 |
Erna Hennicot-Schoepges |
? |
? |
8. Calls on the Commission to proceed with setting up a task force for culture and the creative economy, so as to explore more closely the direct contribution and the direct impact of culture and of creativity on innovation, economic growth and social development in the European Union; |
67 |
Maria Badia i Cutchet |
? |
? |
8. Calls on the Commission to proceed with setting up a task force for culture and the creative economy, so as to explore more closely the relationship between culture, creativity and innovation in the context of the Community policies, and in which the European Parliament should participate |
68 |
Katerina Batzeli |
? |
? |
8. Calls on the Commission to proceed with setting up a task force for culture and the creative economy, so as to explore more closely the relationship between culture, creativity and innovation in the context of the Community policies; recommends also the creation of suitable conditions for the development of a European cultural internet which will be based, inter alia, on joint public-private corporate bodies, with the aim of strengthening cross-border cultural and creative action by bodies and undertakings, and improving dissemination of best practice and know-how; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property; draws Member States’ attention on this point to the fact that criminalising consumers so as to combat digital piracy is not the right solution; |
Compromise amendment E (replacing am. 69-79) |
Guy Bono |
? |
? |
9. In the context of rapid technological and market evolutions, and with a view to ensuring that cultural industries and creators benefit from the development of digital platforms, urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector, involving notably telecom operators and Internet Service Providers, to join forces and seek solutions equitable for big and small actors, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property that guarantee fair, effective remuneration to all categories of right holders, real choice for consumers, and cultural diversity ; draws attention on this point to the fact that criminalising consumers who do not act out of profit making purposes is not the right solution to combat digital piracy; |
69 |
Henri Weber |
? |
? |
9. Calls on the Commission to ensure that the acquis communautaire in the field of copyright and related rights is preserved and that it continues to be primarily oriented towards creators; |
70 |
Ignasi Guardans Cambó |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property; (deletion) |
71 |
Guy Bono |
? |
? |
9. In the context of rapid technological and market evolutions, and with a view to ensuring that cultural industries benefit from the development of digital platforms, urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector, notably telecom operators and Internet Service Providers, to join forces and seek solutions equitable for big and small actors, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property that guarantee effective remuneration to right holders and real choice for consumers; draws Member States’ attention on this point to the fact that criminalising consumers so as to combat digital piracy is not the right solution; |
72 |
Marie-Hélène Descamps |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, ensuring that persons and businesses making a contribution to the creative sector are fairly remunerated; |
73 |
Marianne Mikko |
? |
? |
9. Urges the Commission to ensure that the treatment of copyright and related rights issues is primarily creator-oriented and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property; draws Member States’ attention on this point to the fact that criminalising consumers so as to combat digital piracy is not the optimal solution; |
74 |
Maria Badia i Cutchet |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property and copyright from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property; draws Member States’ attention on this point to the need to legislate against piracy while also taking into account the right of users freely to access culture via new technologies, when this is not for profit-making purposes; |
75 |
Rolf Berend |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property. Calls on the Commission and Member States to provide a strong legal environment, based on the protection of intellectual property including measures which oblige Internet service providers to cooperate in the fight against online piracy; |
76 |
Christa Prets |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property; calls on the Commission also to emphasise more clearly the value of creative achievements, since artists are entitled to appropriate remuneration for their achievements; draws Member States’ attention on this point to the fact that criminalising consumers so as to combat digital piracy is not the right solution; |
77 |
Helga Trüpel |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property that guarantee effective remuneration to rightholders; draws Member States’ attention on this point to the fact that criminalising consumers so as to combat digital piracy is not the right solution; |
78 |
Claire Gibault |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to invite all those active in the sector to join forces and seek solutions equitable to all, in the interest of a balance between the opportunities for access to cultural events and content and intellectual property, ensuring that rights holders are remunerated; draws Member States’ attention on this point to the fact that penalties for 'professional pirates' would be the most appropriate response to digital piracy offences; |
79 |
Christopher Heaton-Harris |
? |
? |
9. Urges the Commission to rethink the critical issue of intellectual property from the cultural and economic point of view and to act as regards the increasing problem of protection of intellectual property against piracy. Intellectual property is the cornerstone of the cultural industries and the means by which the people and the enterprises who contribute to creativity can be remunerated. Calls on the Commission and the Member States to provide a strong legal environment, based on the protection of intellectual property and to put in place all the necessary means to ensure the respect of intellectual property; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Oral amendment n. 2 on amendment n. 85 (Paragraph 9 a new) |
Guy Bono |
? |
? |
9a. Calls on the Commission to recognise that, as a result of the Internet, traditional ways of using cultural products and services have completely changed and that it is essential to ensure unimpeded access to online cultural content and to the diversity of cultural expressions, over and above what is driven by an industrial and commercial logic, ensuring moreover, fair remuneration (deletion) for all categories of rights holders; |
80 |
Christopher Heaton-Harris |
withdrawn |
N/A |
9a. Urges the Commission to oblige all those active in the sector to join forces and seek solutions equitable to all with the aim to develop the offer of legitimate online content and to make sure that all the involved stakeholders act responsibly. In the event that adequate solutions have not been found within a reasonable period of time that should not exceed 1 year, calls on the Commission and the Member States to adopt legislative measures obliging Internet service providers to cooperate in the fight against online piracy. This cooperation of Internet service providers should include the use of filtering technologies to prevent their networks being used to infringe intellectual property, the removal from the networks or the blocking of content that infringes intellectual property, and the enforcement of their contractual terms and conditions, which permit them to suspend or terminate their contracts with those subscribers who repeatedly or on a wide scale infringe intellectual property; draws Member States’ attention on this point to the fact that legislative measures which oblige Internet services providers to cooperate in the fight against online piracy would be more effective than the legal pursuit of users who infringe intellectual property; |
82 |
Guy Bono |
? |
? |
9a. Calls on the Commission to propose a directive designed to protect artists who risk seeing their work fall within the public domain in their lifetime, and to consider the competitive disadvantage posed by less generous protection terms in Europe than in the United States; |
83 |
Rolf Berend |
? |
? |
9a. invites the Commission to take measures on prevention, education and awareness-raising among consumers, especially among young people in schools on the value of intellectual property and creativity in general and to encourage consumers to respect intellectual property; |
84 |
Ignasi Guardans Cambó |
? |
? |
9a. Calls on the Commission in particular to support efforts to introduce new business models in the digital age that enable the consumer to reap the full benefits of new technologies and at the same time preserve the legitimate right to payment for artistic and cultural creation; |
85 |
Erna Hennicot-Schoepges |
? |
? |
9a. Calls on the Commission to recognise that, as a result of the Internet, traditional ways of using cultural products and services have completely changed and that it is essential to ensure unimpeded access to online cultural content and to the diversity of cultural expressions, over and above what is driven by an industrial and commercial logic, ensuring moreover, fair remuneration that is equitably divided between all categories of rights holders; |
86 |
Helga Trüpel |
? |
? |
9a. Is of the opinion that a reform of intellectual property rights is vital for promoting creativity and encouraging the development of cultural works; recommends the Paris Accord as a proposal for a fair interest balance between creatives and consumers; |
87 |
Marie-Hélène Descamps |
? |
? |
9a. Calls on the Commission and the Member States to provide the necessary resources to ensure that intellectual property rights are respected and protected; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
81 |
Christopher Heaton-Harris |
? |
? |
9b. Invites the Commission to fund campaigns on prevention, education and awareness-raising among consumers, especially among youngsters, on the value of intellectual property and creativity in general, and to encourage consumers to respect intellectual property. This should include incorporating educational programmes on intellectual property and the value of creativity into the schools’ curriculum; |
88 |
Marie-Hélène Descamps |
? |
? |
9b. Urges the Commission, in the fight against piracy, to make all parties, including consumers, aware of their responsibilities and to put in place awareness?raising and education campaigns; |
89 |
Erna Hennicot-Schoepges |
? |
? |
9b. Takes the view, therefore, that the Commission should consider establishing close consultations between the industry, Internet access providers, consumers, P2P website designers and all categories of rights holders and all other parties in order to more openly examine the new forms of consumption and the resulting uses, with the aim of putting in place permanent, legal models for the distribution and use of new online products and services; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
10. Considers it essential to have adequate funding for the cultural and creative industries, and calls on the Council, the Commission and the Member States to take the action required, recommending methods of funding from the public and public-private sectors, and setting up a regulatory and fiscal framework that favours the cultural industries; |
Compromise amendment F (replacing am. 90-94) |
Guy Bono |
? |
? |
10. Considers it essential to have adequate funding for the cultural and creative industries as well as creative communities, and calls on the Council, the Commission and the Member States to take the action required, recommending mixed methods of funding and financial security, and promoting a regulatory and fiscal framework that favours the cultural industries as well as creative communities, and more particularly the application of tax credits and reduced rates of VAT to all cultural products, including online works; |
90 |
Maria Badia i Cutchet |
? |
? |
10. Calls on the Council, the Commission and the Member States to promote methods of funding from the public and public-private sectors, and to consider setting up a regulatory and fiscal framework for the cultural industries; |
91 |
Ignasi Guardans Cambó |
? |
? |
10. Considers it essential for the cultural and creative industries to have adequate funding, and calls on the Council, the Commission and the Member States to take the action required, recommending mixed methods of funding and financial security from the public and public-private sectors, and setting up a regulatory and fiscal framework that favours the cultural industries; |
92 |
Ruth Hieronymi |
? |
? |
10. Considers it essential to have adequate funding for the cultural and creative industries as well as creative communities, and calls on the Council, the Commission and the Member States to take the action required, recommending methods of funding from the public and public-private sectors, and setting up a regulatory and fiscal framework that favours the cultural industries and creative communities; |
93 |
Guy Bono |
? |
? |
10. Considers it essential to have adequate funding for the cultural and creative industries, and calls on the Council, the Commission and the Member States to take the action required, recommending methods of funding from the public and public-private sectors, and promoting a regulatory and fiscal framework that favours the cultural industries, and more particularly the application of tax credits and reduced rates of VAT to all cultural products, including online works; |
94 |
Christopher Heaton-Harris |
? |
? |
10. Considers it essential to have adequate funding for the cultural and creative industries, and calls on the Council, the Commission and the Member States to take the action required, recommending methods of funding from the public and public-private sectors, and setting up a regulatory and fiscal framework that favours the cultural industries; in particular by providing for tax credits on their investments. In addition, calls on the Commission and the Member States to eliminate the current VAT discrimination of different cultural products by applying a reduced VAT rate to all cultural products; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
11. Considers it necessary for the Structural Funds to give pride of place to development of the cultural and creative industries, and repeats its request for the Commission to put forward a study on the impact of funding from the Structural Funds for the cultural sector; |
Compromise amendment G (replacing am. 98-100) |
Guy Bono |
? |
? |
11. Considers it necessary for the Structural Funds, programmes for SMEs and the seventh research and development framework programme' to give pride of place to development and sufficient funding of the cultural and creative industries, including small and medium-sized and individual artists undertakings in the field, and repeats its request for the Commission to put forward a study on the impact of funding from the Structural Funds, and the research and development funds, for the cultural and educational sectors; |
98 |
Maria Badia i Cutchet |
? |
? |
11. Considers it necessary for the Structural Funds to contemplate development of the cultural and creative industries, and repeats its request for the Commission to put forward a study on the impact of funding from the Structural Funds for the educational and cultural sector; |
99 |
Guy Bono |
? |
? |
11. Considers it necessary for the Structural Funds, programmes for SMEs and the seventh research and development framework programme to give pride of place to development of the cultural and creative industries, and repeats its request for the Commission to put forward a study on the impact of funding from the Structural Funds, and the research and development funds, for the cultural sector; |
100 |
Katerina Batzeli |
? |
? |
11. Considers it necessary for the Structural Funds to give pride of place to development and sufficient funding of the cultural and creative industries, including small and medium-sized undertakings in the field, and repeats its request for the Commission to put forward a study on the impact of funding from the Structural Funds for the cultural sector; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
12. Calls on the Commission to look into the possibility of setting up a programme similar to the MEDIA Programme tailored for the music and publishing industries; |
Compromise amendment H (replacing am. 104-107) |
Guy Bono |
? |
? |
12. Calls on the Commission to look into the possibility of setting up a programme similar to the MEDIA Programme, to complete the procedures for implementing the initiative for the European digital library, to stimulate and support the music, theatre and publishing industries, in order to facilitate transnational distribution of works, and, as a preliminary step, to set up a mechanism under the 'Culture' programme for allowing non-audiovisual cultural industries to have access to Community funding for measures to promote books (joint stands at book fairs, etc), and also measures to promote music and professional training; |
104 |
Guy Bono |
? |
? |
12. Calls on the Commission to look into the possibility of setting up a programme similar to the MEDIA Programme tailored for the music and publishing industries, in order to facilitate transnational distribution of works, and, as a preliminary step, to set up a mechanism under the 'Culture' programme for allowing non?audiovisual cultural industries to have access to Community funding for measures to promote books (joint stands at book fairs, etc), and also measures to promote music and professional training; |
105 |
Katerina Batzeli |
? |
? |
12. Calls on the Commission to look into the possibility of setting up a programme similar to the MEDIA Programme tailored for the music and publishing industries and a programme similar to the ERASMUS Programme for the mobility of artists and cultural experts and to complete the procedures for implementing the initiative for the European digital library; |
106 |
Ignasi Guardans Cambó |
? |
? |
12. Calls on the Commission to look into the possibility of setting up a programme to stimulate and support the music and publishing industries based on the experience of the MEDIA programme; |
107 |
Maria Badia i Cutchet |
? |
? |
12. Calls on the Commission to look into the possibility of setting up a programme similar to the MEDIA Programme tailored for the music, theatre and publishing industries; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
13. Calls on the Member States to increase the amount of aid for translation, as the budgets allocated to the European cultural programmes are not sufficient to enable the ambitious aims that they describe to be fulfilled; |
Compromise amendment I (replacing am. 108-110) |
Guy Bono |
? |
? |
13. Calls on the Commission and the Member States to increase the amount of aid for translation, as the budgets allocated to the European cultural programmes are not sufficient to enable the aims that they describe to be fulfilled; |
108 |
Ignasi Guardans Cambó |
? |
? |
13. deleted |
109 |
Katerina Batzeli |
? |
? |
13. Calls on the Commission and the Member States to increase the amount of aid for translation, as the budgets allocated to the European cultural programmes are not sufficient to enable the ambitious aims that they describe to be fulfilled; |
110 |
Christa Prets |
? |
? |
13. Calls on the Member States to increase the amount of aid for translation, as the budgets allocated to the European cultural programmes are not sufficient to enable the (deletion) aims that they describe to be fulfilled; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
14. Considers that there is a need to encourage the cultural and creative industries’ sector by improving qualification, apprenticeship and training systems; |
Compromise amendment J (replacing am. 111- 115) |
Guy Bono |
? |
? |
14. Considers that there is a need to encourage the cultural and creative industries’ sector by improving qualification, apprenticeship and training systems, in particular by seeking to provide students at all levels of education in the cultural and artistic disciplines with training that will prepare them for professional life, as well as by encouraging better synergy between businesses in the sector and schools and encouraging closer ties between schools and institutions in Member States that are already working towards that end; and to make further progress towards the mutual recognition of diplomas in art industry studies. |
111 |
Ignasi Guardans Cambó |
? |
? |
14.Considers it essential for the various instruments in support of culture and the cultural industries to focus to a large extent on improving the qualification, apprenticeship and training of artists and other professionals associated with the cultural sector; |
112 |
Guy Bono |
? |
? |
14. Considers that there is a need to encourage the cultural and creative industries’ sector by improving qualification, apprenticeship and training systems, in particular by seeking to provide students in the cultural and artistic disciplines with training that will prepare them for professional life, as well as by encouraging better synergy between businesses in the sector and schools and encouraging closer ties between schools and institutions in Member States that are already working towards that end; |
113 |
Katerina Batzeli |
? |
? |
14. Considers that there is a need to encourage the cultural and creative industries’ sector by introducing artistic and cultural education at all levels of education, and by improving qualification, apprenticeship and training systems; |
114 |
Maria Badia i Cutchet |
? |
? |
14. Considers that there is a need to encourage the cultural and creative industries’ sector by improving qualification, apprenticeship and training systems for artists and creators, and to make further progress towards the mutual recognition of qualifications and realisation of the Bologna objectives, in order to achieve a genuine European Area of Education; |
115 |
Christa Prets |
? |
? |
14.Considers that there is a need to encourage the cultural and creative industries’ sector by improving qualification, apprenticeship and training systems and social recognition of diplomas in art industry studies; |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
B. whereas cultural industries are industries which give intellectual works additional economic value that at the same time generates new values for individuals and society, traditional industries such as the film, music and publishing industries, the media and industries in the creative sector (fashion and design), tourist, arts and information industries, |
7 |
Guy Bono |
? |
? |
B. whereas cultural industries are industries which give intellectual works additional economic value that at the same time generates new values for individuals and society, including traditional industries such as the film, music and publishing industries and also the video games industry, |
8 |
Maria Badia i Cutchet |
? |
? |
B. whereas cultural industries are industries which give intellectual works additional economic value that at the same time generates new values for individuals and society, traditional industries such as the film, theatre, music and publishing industries, the media and industries in the creative sector (fashion and design), tourist, arts and information industries, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
9 |
Guy Bono |
? |
? |
Ba. whereas creative sector industries are industries whose products are not cultural goods as such but have a strong cultural component, including activities in the fashion, design, product design, architecture and publicity sectors; whereas the importance of other sectors which are not creative industries but which bear similarities to them, such as tourism and sport, should also be stressed, |
10 |
Erna Hennicot-Schoepges |
? |
? |
Ba. whereas, according to the definition given by UNESCO, cultural industries encompass all sectors that combine the creation, production and marketing of goods and services, the distinctive character of which lies in contents which are intangible and cultural in nature, contents typically protected by copyright, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
C. whereas, however, greater recognition and greater support are needed to help the cultural and creative industries deliver their full contribution to the objectives of the Lisbon Strategy, |
Compromise amendment K (replacing am.11-15) |
Guy Bono |
? |
? |
C. whereas, however, greater recognition, the securing of a special legal status and greater support for the entire cultural and creative industries, including micro businesses and SMEs as well as individual artists, are needed to help these sectors achieve their full potential and to contribute also to the objectives of the Lisbon Strategy, |
11 |
Ruth Hieronymi |
? |
? |
C. whereas, however, greater recognition, the securing of a special legal status and greater support are needed to help the cultural and creative industries deliver their full contribution to the objectives of the Lisbon Strategy, |
12 |
Christa Prets |
? |
? |
C. whereas, however, greater recognition of and greater support for the entire cultural and creative industries, as well as individual artists, are needed to help these sectors deliver their full contribution to the objectives of the Lisbon Strategy, |
13 |
Maria Badia i Cutchet |
? |
? |
C. whereas, however, greater recognition and greater support are needed to help the cultural and creative industries achieve their full potential and to contribute also to the objectives of the Lisbon Strategy, |
14 |
Guy Bono |
? |
? |
C. whereas, however, greater recognition and support is needed to help the cultural and creative industries to deliver their full contribution to the objectives of the Lisbon Strategy, in particular micro businesses and SMEs because of the recognised role they play as drivers of growth, job creation and innovation, |
15 |
Katerina Batzeli |
? |
? |
C. whereas, however, greater recognition and greater support are needed to help the cultural and creative industries deliver their full contribution to the objectives of the Lisbon Strategy, which demands significantly higher investments with clear objectives, as well as an increase in incentives to access and undertake action in these areas, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
D. whereas the cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, and on which the European Union should play its part as regulator, |
Compromise amendment L (replacing am. 16-18) |
Guy Bono |
? |
? |
D. whereas the cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, based increasingly on new technologies and new digital and audiovisual formats, in which the Member States and European Union must play their part as a promoter and regulator, guaranteeing that just and adequate economic rewards accrue to the creators of original content through ensuring adequate and efficient protection of copyright and related rights, thereby securing the sustainability of European cultural industries, |
16 |
Marianne Mikko |
? |
? |
D. whereas the cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, (deletion) on which the European Union should play its part as regulator, guaranteeing that just and adequate economic rewards accrue to the creators of original content through ensuring adequate and efficient protection of copyright and related rights, thereby securing the sustainability of European cultural industries, |
17 |
Maria Badia i Cutchet |
? |
? |
D. whereas the cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, based increasingly on new technologies and new digital and audiovisual formats, in which the European Union should play its part as a promoter and regulator, |
18 |
Ruth Hieronymi |
? |
? |
D. whereas the cultural industries produce and disseminate a wide range of content to inform, educate and entertain the public, in which the Member States and European Union must play their part as regulators, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
E. whereas new forms of production, distribution and consumption are emerging in the contemporary information society and they are generating new cultural goods and services that need protection from piracy, |
Compromise amendment M (replacing am. 19, 20) |
Guy Bono |
? |
? |
E. whereas new forms of production, distribution and consumption are emerging in the contemporary information and digital technology society and they are generating new cultural goods and services that need protection from piracy, but also more generally the finding of suitable entrepreneurial and economic models to ensure the accessibility, opening-up and diversity of products with a cultural content while preserving their specific nature as compared to ordinary commercial products and granting fair remuneration to all categories of rightholders for the use made of copyright-protected cultural content, |
19 |
Katerina Batzeli |
? |
? |
E. whereas new forms of production, distribution and consumption are emerging in the contemporary information and digital technology society and they are generating new cultural goods and services that need protection from piracy, but also more generally the finding of suitable entrepreneurial and economic models to ensure that products with a cultural content are not transformed into ordinary commercial products, thereby losing their specificity as public assets, |
20 |
Maria Badia i Cutchet |
? |
? |
E. whereas new forms of production, distribution and consumption offering new opportunities to enhance access to and the opening-up and diversity of content are emerging in the contemporary information society and they are generating new cultural goods and services that need protection from piracy, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
F. whereas the cultural industries have a contribution to make to promoting cultural diversity, democratising access to culture, and to the identity and integration of Europe, |
Compromise amendment N (replacing am. 23-27) |
Guy Bono |
? |
? |
F. whereas cultural industries and the creative community have a vital contribution to make to promoting cultural diversity, to ensuring consumer choice, increasing diversity of entrepreneurship, democratising access to culture, to European identity and integration and to intercultural dialogue, |
23 |
Ruth Hieronymi |
? |
? |
F. whereas the cultural industries and the creative community have a contribution to make to promoting cultural diversity, democratising access to culture, and to the identity and integration of Europe, |
24 |
Marie-Hélène Descamps |
? |
? |
F. whereas the cultural industries have a vital contribution to make to promoting cultural diversity, democratising access to culture, and to the identity and integration of Europe, |
25 |
Guy Bono |
? |
? |
F. whereas cultural industries have a contribution to make to promoting cultural diversity, to ensuring consumer choice, increasing diversity of entrepreneurship, democratising access to culture, to European identity and integration and to intercultural dialogue, |
26 |
Christa Prets |
? |
? |
F. whereas the cultural industries have a contribution to make to promoting cultural diversity and the intercultural dialogue, democratising access to culture, and to the identity and integration of Europe, |
27 |
Maria Badia i Cutchet |
? |
? |
F. whereas the cultural industries have a contribution to make to promoting cultural diversity, democratising access to culture, and to the identity and integration of Europe, as well as to the economy, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury, |
Compromise amendment O (replacing am. 31-35) |
Guy Bono |
? |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury and must be evaluated equally in accordance with the EU rules on competition, the Amsterdam Protocol of the Treaty of Amsterdam on the system of public broadcasting in the Member States and Article 151 of the EC Treaty and the UNESCO Convention on the Protection of Cultural Diversity, |
31 |
Claire Gibault, Ignasi Guardans Cambó |
? |
? |
I. whereas European and state aid, as well as measures to promote and support the creative sector are an essential – though not the sole – part of the policies to assist the creative sector in Europe, |
32 |
Ruth Hieronymi |
? |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury and must be evaluated equally in accordance with the EU rules on competition and Article 151 of the EC Treaty and the UN Convention on the Protection of Cultural Diversity, |
33 |
Guy Bono |
? |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury, in particular because they protect and promote creators and their works, |
34 |
Christa Prets |
? |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury, and as an added value for society, |
35 |
Maria Badia i Cutchet |
? |
? |
I. whereas state aid and subsidies for the creative sector should be seen as an investment in human capital and not as expenditure with no return, |
Amendment number |
Submitter |
Recommen- dation |
Vote outcome |
Text |
Original |
Guy Bono |
N/A |
? |
J. whereas there is a need for further support for small and micro-businesses and for the individual workers who contribute hugely to creating wealth in an economy whose growth does not necessarily require the existence of large-scale organisations, with their tendency to focus on the most profitable activity, namely cultural distribution (publishing, distribution and marketing), but rather calls for the proliferation of less complex structures and the stimulation of their networks, |
Compromise amendment N°15 |
Guy Bono |
? |
? |
J. whereas state aid and subsidies for the creative sector should be seen as an investment and not a luxury and must be evaluated equally in accordance with the EU rules on competition, the Amsterdam Protocol of the Treaty of Amsterdam on the system of public broadcasting in the Member States and Article 151 of the EC Treaty and the UN Convention on the Protection of Cultural Diversity, |
36 |
Marie-Hélène Descamps |
? |
? |
J. whereas there is a need for further support for small and micro-businesses, and for the promotion of their networks, and for the individual workers who contribute hugely to creating wealth (deletion), |
37 |
Maria Badia i Cutchet |
? |
? |
J. whereas there is a need for further support for small and micro-businesses and for self-employed workers who contribute (deletion) to creating wealth in an economy whose growth does not necessarily require the existence of large-scale organisations, with their tendency to focus on the most profitable activity, namely cultural distribution (publishing, distribution and marketing), and which therefore also calls for the proliferation of less complex structures and the stimulation of their networks, |